Caducity 3. If you are unsatisfied with your purchase and the merchandise is unopened, we will be happy to exchange it for you. Besotted 2. But there’s not much first-person subjectivity on the album, and little emotional cataclysm shines through in arrangements of the record’s six tracks. The first chapter in El Ten Eleven‘s new three-part musical journey seems to be written entirely in the third person and drained of all impulse for narrative twists. Lassitude tautology II — middle age. Five Years Later: The Best Music of 2013! Review: Sufjan Stevens and Lowell Brams – “Aporia”. “Let’s All Go Out Like Francis” is anchored by a delightfully glitchy bit of percussion and chimy guitars reminiscent of Papa M’s Live from a Shark Cage. The closing “All of This Bliss Doesn’t Come Without a Price,” though a little light in substance, makes up its lack of scope with angelic tones, likely those signaling a death ascension. There’s an argument to be made there. As theses go, the new material inadvertently seems to suggest El Ten Eleven have been making variations on the same record for years, which, some detractors may say, they have. Drummer Tim Fogarty is low in the mix and hardly registers, though he doesn’t need to, in the least. Five Years Later: The Best Films of 2014!! Gotta give another listen to “You Are a Piece of Me, You Are a Piece of Her.”. Trust us, when you hear the lullaby-esque, accenting guitar motif he lays over the main refrain about four minutes into “Piece,” you won’t be itching for something more percussion-driven anytime soon. In the end, though, they kind of sold us on this thing. If your order contains multiple items, it may ship from different warehouse locations. All you need to know about Tautology III can be heard in about six minutes on the heart-aching and at times pitch-perfect “You Are a Piece of Me, You Are a Piece of Her.” On it, guitarist/bassist Kristian Dunn layers on mounds of atmosphere, so much so that the harmonic-plucked main figure (which is quite beautiful) barely raises its head above the tidewaters. …, A more manageable, more cohesive version …, This is a meditation both on sadness and the way we conjure it through music. Tautology is not a typical rock album, and El Ten Eleven are not a typical rock band. Justin Vellucci is a writer, post-rock disciple and father of two. If they did, why does the band end an LP ruminating on angst with more than two minutes flirting with silence? Well, I guess I shouldn’t be surprised that Tautology‘s first installment (II is due 10 July, III on 18 September) doesn’t surprise listeners enough. The songs are nothing less than masterfully initiated. We’ll hold off on timely verdicts for now, though. …, You don’t need to be an ethnomusicologist to recognize this repertoire as an ancient form …, Criminally Overrated: 2001: A Space Odyssey, Resequence: Smashing Pumpkins: Mellon Collie and the Infinite Sadness, From the Vaults of Streaming Hell: Death House, Sou Si-tai: China: The Fisherman and the Woodcutter/The Qin, Zither of the Literati. Free Record Holder with $75 Purchase (Use code Bridge)  Add to Cart. Shadow of the Vampire Turns 20, Holy Hell! Division 6. A kick-drum in the shape of a heartbeat appears some seven minutes into El Ten Eleven’s Tautology III, the final piece of its ambitious instrumental, arc-of-life suite on Joyful Noise. Aubade 5. Tautology III by El Ten Eleven, released 18 September 2020 1. Your email address will not be published. The Silent Bell That Rings 5. None of that’s on display here. Original shipping and handling charges are not refundable, and you will be responsible for all costs associated with return shipment. It’s a road-map. Album opener “Entropy” could be used as footnotes in a research paper on math rockers concocting variations on a theme. But, when it comes to the raw surging energy and sweat and grit and folly of youth, the record is wanting. The disc is a good one, albeit the question remains whether better editing could have refined this life-cycle down to a double-LP or even a hefty single one. El Ten Eleven is an American, Los Angeles-based, post-rock duo, known for combining guitar/bass doubleneck or fretless bass, with heavy looping, or vamping, and the utility of an effects pedal, over acoustic or electric drumming.They have released seven full-length albums, 2 EPs and a remix album, earning generally positive reviews. Overnight Shipping: allow 1-2 business days for delivery. Released 10 July 2020 on Joyful Noise (catalog no. tautology I — adolescence. Albums will be shipped via USPS Media Mail; all other products via UPS Ground. Album returns: If you have received damaged, defective, or incorrectly shipped merchandise, please notify Customer Service within 30 days. What’s odd – and oddly special – about the third installment, however, is how it does not dwell in the chambers or details of life and living, old or otherwise. Farrago 2. All well and good, all well and good. Half Mast 6. (The first part represented youthful abandon and teenage years, the second mid-life.) Instead, its oft-funereal compositions, heavy on the knotted guitars of post-rock but subdued even by that genre’s standards, are fixated on the timelessness of death and the sinewy transition between the two states. In a Beautiful Place Out in the Country Turns 20, Interview: Peter Garrett from Midnight Oil, Interview: Joseph D’Agostino of Empty Country, Resequence: Chance the Rapper: The Big Day, Rediscover: T2: It’ll All Work Out in Boomland, Rediscover: John Frusciante: The Will to Death, Revisit: The Who: Quadrophenia: Live in London, Holy Hell! To top it off, Tautology I lacks the prescience many have come to expect of adulthood, of hindsight and, more so, of the authorial voice, that idea that even a narrator learns something through experience. But, listening straight through, what El Ten Eleven really does well is close the proceedings. If an RMA is not obtained prior to shipping, the returned product will be refused and returned to sender. For a band like El Ten Eleven, who rely so heavily (even defiantly) on structure, one would think a reminiscence of formative years would entail some element of building – and not completing – a foundation. JNR332-2digital; Lossless Digital). Standard Shipping: allow 7-10 business days for delivery. Kristian Dunn, the duo’s very adept guitar and bass player, said he wanted Tautology I to “represent what my teenage years were like, when I was full of testosterone and depression”, according to advance materials. “With Report” plods along with more of a thud and a wallop that you’re used to hearing from El Ten Eleven, although it doesn’t live up to the slash-and-burn retorts of its opening riff. And the new record is a lot like airports and air travel – it takes you places, even far-flung ones, but it can be frustrating in how cold, clinical and process-driven the designers have made something as magical as flight. …, Austin trio’s sophomore LP is anything but sophomoric. (There always are.) the triple LP — out everywhere now. The album's title is a reference to Built to Spill's 1999 album Keep It Like a Secret. The albums second movement Tautology II reflects Dunns current state. “Moral Dynamite” features a perky bass theme that’s lifted from the Knack. Then again, maybe it’s apropos. I wanted to represent what my teenage years were like when I was full of testosterone and depression says Dunn. O Brother, Where Art Thou? Review: Mr. Bungle – “The Raging Wrath of the Easter Bunny Demo”, Review: Bad Wires – “Politics of Attraction”, Review: Kronos Quartet – “Long Time Passing”, Review: Chuck Mosley – “Joe Haze Session #2” (Record Store Day Exclusive), Review: Spencer Kilpatrick – “You Feel Like Nevada To Me”. The songs are fully fleshed out and reasoned within an inch of their lives. Between the Buried and Me: The Silent Circus, Bargain Bin Babylon: Earth, Wind & Fire: All ‘n All, Bargain Bin Babylon: Henry “Buzz” Glass: Square Dance Variations Volume I, Bargain Bin Babylon: Robert Cray: Strong Persuader, Bargain Bin Babylon: Lemon Jelly: Lost Horizons, Discography: David Bowie: Black Tie White Noise, Discography: David Bowie: Never Let Me Down, Holy Hell! Be sure to include your order # and reason for returning in your email. – Justin Vellucci, PopMatters, May 7, 2020, Your email address will not be published. I don't dislike "Batman". What’s odd – and oddly special – about the third installment, however, is how it does not dwell in the chambers or details of life and living, old or otherwise. The Moon & Antarctica Turns 20, Holy Hell! What’s odd about the record, though, is what it says about youth and adolescence and maturing when it seems to be saying very little. Moral Dynamite 5. A kick-drum in the shape of a heartbeat appears some seven minutes into El Ten Eleven’s Tautology III, the final piece of its ambitious instrumental, arc-of-life suite on Joyful Noise. Tautology III is not without its flaws – more on that, of course, in a bit – but it goes a long way toward redeeming the trilogy, a fair portion of which was big on ideas but a little wobbly in presentation or initiation. For seventeen years the instrumental duo of Dunn (bass/guitar) and Tim Fogarty (drums) have flourished outside the accepted norms of rock orthodoxy, releasing eight full length albums and four EPs, and performing over 750 live shows. The whole process of composition and release just seems, here, a little more rote than that. We are unable to ship to International, PO Box, or APO/FPO addresses.

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